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Speaking of Pianists » Blog Archive » Piano Concerto No. 0

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    Piano Concerto No. 0

    Few listeners have heard Ludwig van Beethoven’s Piano Concerto in D Major, Op. 61a, modeled by the composer after the far more effective Violin Concerto.  At least the composer had the courtesy to leave the pianist four cadenzas to this hastily written transcription, whereas he provided the violinist with none.

    That D Major work comes almost at the end of Beethoven’s list of concerti for the piano, followed only by the great “Emperor” Concerto, Op. 73.

    On the other end of the line is the Eb Piano Concerto, WoO 4, written when the composer was only 14 years old.  It has had several incarnations over the years, but a new variant will be premiered in a few days by Canadian pianist Anton Kuerti at a concert with the National Broadcast Orchestra at the Chan Centre for the Performing Arts in Vancouver, B.C.

    By the way, for readers who may not be familiar with the cataloging system for Beethoven’s works, the “WoO” indication above stands for the German, “Werke ohne Opuszahl”, Works without Opus number.  This marking was given to works not assigned  an opus (work) number by Beethoven, a practice that had become more common during this era.

    Musicologist Willy Hess first orchestrated the work from Beethoven’s notebooks  in the 1940’s, but Kuerti has taken the original material and filled in both orchestra and piano parts with as much simplicity as possible to reflect what he believes is more stylistically correct.

    Kuerti is the next artist performing on Portland Piano’s 2009-2011 Series in the Newmark Theatre.   His all-Beethoven recital on Sunday afternoon, February 7, will include the great Diabelli Variations, Op. 120.


    Read the entire National Broadcast Orchestra of Canada story here.

    For information about Kuerti’s Portland recital, go to portlandpiano.org

    HG

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