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Speaking of Pianists » Blog Archive » A Poet of the Piano: Richard Goode

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    A Poet of the Piano: Richard Goode

    “Listening to the pianist Richard Goode playing Bach and Chopin on Sunday was a perfect, soul-soothing tonic after a busy week.” So begins Vivien Schweitzer in her New York Times review of Goode’s Town Hall recital this past April.

    Although the program is not the same Goode will play in Portland, the comments Schweitzer makes about the relationship of Bach and Chopin are interesting and pertinent to his Portland programs. See those October programs here, and read the complete April 29, 2008 Schweitzer review at this link.

    Despite the fact that my last post focused on child prodigies and the need to begin piano studies at an early age, Goode doesn’t fit that formula. “I was in no way a child prodigy,” he says. “My parents weren’t involved in music, although my father had some musical ability. But, as a child, I heard mostly pop music.”

    And he was 47 when he gave his first solo recital in Carnegie Hall.

    In my opinion, his 1993 Nonesuch recording of the complete Beethoven Sonatas still remains the standard. Goode was the first American-born pianist to record the complete cycle.

    The intriguing story of his rise to prominence is one of the portraits in the late David Blum’s book, Quintet, Five Journeys toward Musical Fulfillment (Cornell University Press, 1999).

    Excellent seats are available for Goode’s Portland recitals on October 12th and 14th at the Newmark Theater. Go to the Portland Piano International website for ticket information.

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